The ensemble made clear that the physical is nowhere near the only place where feminine power lies, but a lot of it can rest there, too.
#Onstage dance professional
Enhancing all of that were sophisticated effects like the dancers throwing their jackets over one shoulder in slow-motion - like a professional leader who’s just closed the deal, filed that big story or made their next entrepreneurial move (videography and editing by Andres Calderon/dresticHaus).Īs is not always the case with this dance style, there was nothing overtly sultry or sexualized – other than prideful carriage of their bodies just as they are. In business casual, they embodied simple elegance and the power of a confident female leader, in or out of business. The ensemble danced on a dimly-lit black box stage (lighting design by Lynda Rieman), which smoothly aligned with their black and white costuming. Indeed, the movement was very geometric and accented, with clean lines and other shaping true to classic jazz form – something, in truth, that’s seen less and less these days. She described it as embodying the power within femininity, and also more “hard hitting” jazz than she often choreographs (so this was an intriguing departure for her, she noted). Opening the program was OnStage Director Jennifer Kuhnberg’s Get Ready. This review highlights the ones that were most impactful and memorable for me personally, although all of the works were that to some degree, in their own ways. The result was a multifaceted program with something fully new to enjoy with each work: something new, but always honest and authentic. Beyond that, these segments provided a window into these artists as creators and as people – making the work all the more intriguing and human.Īs always with this company, Season 21 dance films also reflected that individuality and diversity of vision, aesthetic interest, stylistic strength and artistic approach. They therein offered audience members more assured footholds into understanding and appreciation of each work. These offerings gave insights into concept and creative process, from the artists themselves - in ways that I’ve not seen much (by and large, with some exceptions) with live dance. These segments, right along with the dance films themselves, have gotten increasingly well-crafted and absorbing to experience over the three virtual seasons that this company has presented: culminating in January 2022’s Season 21 program. One of those adaptations, for many companies – and Greater Boston-based OnStage Dance Company in particular – has been intriguing and informative “behind-the-scenes” interviews and video segments to accompany dance films. As a reviewer in the age of COVID, it’s been fascinating to see how choreographers and companies have gotten creative and increasingly skilled with the medium of dance on film (one which many have turned to for practicality and safety of all involved). We all know and love a good “behind-the-scenes” segment – or we know it, in the sense of being familiar. The MC was amazing and he made the awards ceremony fun! This is the only competition that I get to hear the judges have a conversation about the routine they are critiquing.Capitol Theater Building, Arlington, MA (and streaming via ).įilm screenings January 9-11, and digital program streaming January 9. Your staff was all warm, friendly and professional. “I want to congratulate you for having one of the best run competitions in the industry. We can't wait to return!" - Dance Teacher The competition is organized, ran ahead of schedule and the staff was so helpful.
Your judges' critiques are some of the best we've ever received, constructive and supportive. We’ve created a fun, supportive environment where all performers are given an opportunity to showcase their talents, while receiving valuable critiques from a qualified panel of judges. I am incredibly excited to invite you to join Onstage NY, the ultimate talent search and competition.
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